B. Stanley, Let's do it: the birth of pop (2022), 220
My Commonplace Blog
A digital form of the sadly lost fashion for copying out memorable passages from texts. I kept losing my actual book.
Friday 29 March 2024
It’s almost obscene how big a star Crosby once was, and how little he seems to mean now
Thursday 28 March 2024
No one would have guessed back in 1912, when it first made its presence known on vaudeville stages, that the blues would become one of the defining sounds of the twentieth century
B. Stanley, Let's do it: the birth of pop (2022), 139
Wednesday 27 March 2024
This was a high water mark for musical theatre – for great American songwriting, even
In 1927, within a few blocks of Showboat
you could have also seen George and Ira Gershwin’s Funny Face, Vincent
Youman’s Hit the Deck or Rogers and Hart’s A Connecticut Yankee.
This was a high water mark for musical theatre – for great American songwriting,
even – but then two things come along to spoil the fun: the Wall Street Crash
and talking pictures. In 1928 there were sixty-two shows along Broadway; this
would decline to thirty-four in 1931. During the whole of the 1930s, the Great
White Way would host only sixty-eight
new musical comedies.
With a very real lack of cash and opportunity for the New York songwriter, the lure of Hollywood – just about the only place in 1930s America where there seemed to be a silver lining – would prove irresistible.
B. Stanley, Let's do it: the birth of pop (2022), 110
Tuesday 26 March 2024
No-one had previously been aware that red-hot mamas were endangered
Friday 19 January 2024
The great epic tales stank, I think, more than the historians give them credit for
'But ... I'm totally unprepared! I have no luggage with me, no nothing.'
'None of us do. We none of us expected this. That is, in general, the nature of adventures. Adventurers tend to smell. The great epic tales stank, I think, more than the historians give them credit for.'
K. Rundell, Impossible creatures (2023), 111-2
Thursday 18 January 2024
Some sentences have the power to change everything
Some sentences have the power to change everything. They are the usual suspects: I love you , I hate you , I'm pregnant, I'm dying, I regret to tell you that this country is at war. But the words with the greatest power to create both havoc and marvels are these:
'I need your help.'
K. Rundell, Impossible creatures (2023), 57
Wednesday 17 January 2024
He was flagrantly lacking in public spirit
The fact is that every large school requires an advocatus diaboli - and at Castrevenford Mr Etherege occupied this important post. He was flagrantly lacking in public spirit. He never attended important matches. He was not interested in the spiritual welfare of his boys. He lacked respect for the school as an institution. In short, he was impenitently an individualist. And if, at first sight, these characteristics do not appear particularly commendable, you must remember the context. In a school like Castrevenford a good deal of emphasis is necessarily laid on public spirit, and the thing is liable to develop, if unregulated into a rather dreary fetish. Mr Etherege helped to keep this peril at bay.
E. Crispin, Love lies bleeding (1948), 22