In every story it is, of course, a different woman, each given a flip, thowaway,
double-entendre-type name such as Pussy Galore, Honeychile Rider, Tiffany Case. Such disposable images of womanhood, viewed only as fantasy objects of male erotic desire, can scarcely be taken for standing for 'the eternal feminine'. We may also then note that there is no sign of Bond having attained rule over any kind of a 'kingdom'.
C. Brooker, The seven basic plots (2004), 380-1
The whole of the last two thirds of the book is full of guff like this. Should you read it, I suggest you stop at page 230.
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