She was dismissive of any notion that people in the past were essentially just like those of the present. ‘To pretend so,’ she declared forthrightly, ‘is an evasion and a betrayal, turning our back on them so as to be easy among familiar things.’ It was precisely the contrast between antiquity and the world of her upbringing, which felt as vivid to her as that between an Aegean summer and the drizzle of an English February, which helps to explain her passion for Alexander.
Tom Holland, 'Introduction', M. Renault, Fire from Heaven (1969), loc. 87
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