The uncertain merits of things like scythes and pitchforks when used in a battle against crossbows and broadswords.

Susan did not know much about history. It always seemed a particularly dull subject. The same stupid things were done over and over again by tedious people. What was the point? One king was pretty much like another. The class was learning about some revolt in which some peasants had wanted to stop being peasants and, since the nobles had won, had stopped being peasants really quickly. Had they bothered to learn to read and acquire some history books they’d have learned about the uncertain merits of things like scythes and pitchforks when used in a battle against crossbows and broadswords.

T. Pratchett, Soul Music (1994), 39

It means “lack of success”

‘It’s still miles to go,’ she said. ‘I mean to do it,’ said Granny. ‘There’s plenty of night left.’ ‘Not enough, I’m thinking.’ ‘A witch doesn’t know the meaning of the word “failure”, Gytha.’ They shot up into the clear air again. The horizon was a line of golden light as the slow dawn of the Disc sped across the land, bulldozing the suburbs of the night. ‘Esme?’ said Nanny Ogg, after a while. ‘What?’ ‘It means “lack of success”.’ They flew in chilly silence for several seconds.

T. Pratchett, Wyrd sisters (1988), loc. 2,813

I often think this is the role I would play on quests. It would not be a helpful one.

They just should not, in Susan’s very definite and precise opinion, be allowed to take up more than a page to say so

She listened with half an ear to what the rest of the class was doing. It was a poem about daffodils. Apparently the poet had liked them very much. Susan was quite stoical about this. It was a free country. People could like daffodils if they wanted to. They just should not, in Susan’s very definite and precise opinion, be allowed to take up more than a page to say so.

Terry Pratchett, Soul Music (1994), 15

Oxford is the one place in Europe where a man may do anything, however eccentric, and arouse no interest or emotion at all

Oxford is the one place in Europe where a man may do anything, however eccentric, and arouse no interest or emotion at all. In what other city, Cadogan asked himself, remembering his undergraduate days, could one address to a policeman a discourse on epistemology in the witching hours of the night, and be received with neither indignation nor suspicion?

E. Crispin, The Moving Toyshop (1946), 9

Unalienated heirs of bronze-sworded chariot lords from beyond the Ister

Father and son exchanged looks, in a moment of perfect harmony; unalienated heirs of bronze-sworded chariot lords from beyond the Ister, who had led their tribes down in past millennia, some driving further to seize the southlands and learn their ways, some taking these mountain kingdoms where they kept old customs on; burying their dead in chamber-tombs alongside their forebears whose skulls were cased in boar-tusk helms and whose hand-bones grasped double axes; handing down, father to son, elaborate niceties of blood-feud and revenge. Affront had been requited, on a man immune from the sword and in any case beneath its dignity; with finesse, in terms cut to his measure. It had been as neat, in its way, as the vengeance in the hall at Aigai.

M. Renault, Fire from Heaven (1969), loc. 1,753

She was dismissive of any notion that people in the past were essentially just like those of the present

She was dismissive of any notion that people in the past were essentially just like those of the present. ‘To pretend so,’ she declared forthrightly, ‘is an evasion and a betrayal, turning our back on them so as to be easy among familiar things.’ It was precisely the contrast between antiquity and the world of her upbringing, which felt as vivid to her as that between an Aegean summer and the drizzle of an English February, which helps to explain her passion for Alexander.

Tom Holland, 'Introduction', M. Renault, Fire from Heaven (1969), loc. 87

Because evil is better organised, better equipped and better paid.

‘You know why the battle of good vs evil is so one-sided, Malin? Because evil is better organised, better equipped and better paid. It is not monsters or yakas or demons we should fear. Organised collectives of evil doers who think they are performing the work of the righteous. That is what should make us shudder.’

S. Karunatilaka, The Seven Moons of Maali Almeida (2022), loc. 4,694