The hippie counterculture was politically committed to the present tense and largely mistrusted theatrics. ... Glam - garish, ultra-commercial and colourful as a Dulux paint chart - was its worst nightmare ... the likes of Mud, Wizzard, Suzi Quatro, Gary Glitter, Slade and Sweet picked up on certain lines of Bowie and Bolan's glam manifesto - the Bo Diddley riffs, the glittering artifice, the outrageous make-up, the tremendous sense of fun - and rewrote them with an abundance of exclamation marks.
B. Stanley, Yeah yeah yeah: the story of modern pop (2013), 335
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