Without attempting to rival the complexity of my comparative analysis of jazz and science fiction, I should like to assert flatly that detective fiction and science fiction are akin. There is a closely similar exaltation of idea or plot over characterisation, and some modern science fiction, like most detective fiction, but unlike the thriller, invites the reader to solve a puzzle. It is no coincidence—how could it be?—that from Poe through Conan Doyle to Fredric Brown (the Midas expert) the writer of the one will often have some sort of concern with the other.
K. Amis, new maps of hell (1960), 16
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