In the book Lord Clark, as he became, described his life (1903-1983) as 'one long, harmless confidence trick', a reference to what he called his freak aptitude, apparent from the age of 9 or 10, for responding authoritatively to works of art.
He profited from this, he told me, because most English people didn't 'give a blow about art' and considered it sissy. So when they met someone who could speak with confidence and enthusiasm about paintings and sculpture, they were prepared to listen - 'to save themselves trouble'.
M. Barber, 'Not your typical courtier', Slightly Foxed 77 (2023), 81
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