He had fewer acquaintances to offend there

It is said that Lawrence Durrell set his Quartet in Alexandria, rather than Athens, only because he had fewer acquaintances to offend there. Nonetheless, from its raffish founder's day on, the city had possessed a certain reputation.

M. Dinshaw, Outlandish knight: the Byzantine life of Steven Runciman (2016), 295

A medley of allusions, which add up now to a place which no longer exists in any sense at all

The Alexandria of the 1930s and 1940s survives now only in my mind, and in the minds of others. Most of whom knew it a great deal better than I did. For I did not know it at all, I realize, any more than I knew Cairo in any real sense. Much of it I never even saw — the densely populated slum quarters to the west of the city, the labyrinthine streets of downtown Alexandria, tucked behind the boulevards and shops. It was not one city but half a dozen, in which people moved on different planes, segregated by class and culture. And for me there was the further segregation of childhood. My Alexandria was a sybaritic dream. Peanuts in a paper cone, eaten on the Corniche. The suck and whoosh of the sea at the Spouting Rock. The milky-green curve of a surfing wave. The cool grip of a chameleon. Pistachio ice-cream. Macaroons. A medley of allusions, which add up now to a place which no longer exists in any sense at all.

P. Lively, Oleander, Jacaranda (1994), 129